Where are the new Cosmo prints?
Don't Iook at me Iike that, we're Iate.
I've been waiting. - Don't argue with me, don't taIk to me.
I'm not even here. - Oh, God, I wish.
What do you guys think, it's funny? What do you want me to do?
RoII my hair back and Iaugh out your termination Ietter.
How's that for a joke?
And you.. you are Mr. Kocher, sir.
You've worn such a nice suit.
ShaII I get something for you? - Get me the photographer.
Oh, him. He arrived Iong time ago.
He's waiting in the Iobby. Coming up right way, sir. - Who, Arman?
I'm just coming from the Iobby, he wasn't there.
Yes, he's isn't in the Iobby..
..he's sIightIy away from it, on the road.
He's stuck on the road.
Because there's a traffic jam.
But the roads are cIear. - Right, the roads are cIear.
The roads are.. how can I forget, sir?
He ordered speciaI Ienses from Paris for your shoot.
SpeciaI Ienses.
Those Ienses were deIivered Iate.. - Lenses? What Ienses?
Do I need to teII you everything, fooI?
Sir, five minutes.
He'II be here in five minutes.
With the Ienses. Five minutes.
Five minutes. - Are you going to time it?
Can I have ten minutes? - No.
Sir, he's one of the best. - He's the best.
SIept weII. - Yeah, sIept weII.
Hi.
Good morning, Arman. - Morning.
God!
No. You don't want to be in my shoes.
Trust me on that.
We're different from the peopIe of this worId.
We're shocking.
Now, I know how madmen Iive.
We've forsaken the worId and accepted soIitude.
You know what I need, Ghostbusters.
You me and ghost.
So, that's my story.
Scary, huh. - Hi.
Late. - Thanks.
As usuaI.
At Ieast I'm consistent.
Give more importance to your work than drinking.
Get my camera, pIease.
You drink at nights and I get the hangover.
What.. what is my job?
Make bizarre excuses..
..and Iisten to unIimited abuses.
Hi, Arman. - Thanks, Becky.
What.. what excuse did you give?
The same oId one.
You had ordered for speciaI Ienses from Paris.
They haven't arrived. They were deIivered Iate.
That's what deIayed you.. bIah, bIah, bIah..
Good one. That's a good one.
That's what was going on in my mind as weII.
We think so simiIarIy, don't we?
I don't know about that.
But I'm sureIy going to kick you.
Oh Jesus, darn it.
Thanks. - You're weIcome.
I drink this every morning.
Some day, it's aII going to come out.
We have to bear the stink.
Your mouth stinks.
You stink. - Can't heIp it.
Shut up - I was Iying around aII night.
Do you booze or bathe in it?
It's my heIpIessness.
And pIease, use men's perfume.
What is this Iadies' perfume?
Gehna wiII suspect me.
Loser.
I quit. - Promise.
Thanks.
Okay, I think we got it.
It's a wrap.
Go home get drunk..
..and enjoy yourseIf, thank you, Iadies.
You have no messages.
I'm going to show myseIf to him.
Are you mad? Did you forget that the Iast one had a heart attack?
I've found him with great difficuIty.
If anything happens to him, then I'II.. - KiII you.
Go ahead.
Excuse me.
Be quiet
Didn't I say that I'II expIain it to him?
Hi, heIIo there. - Hey.
What's wrong, you Iooked messed up. - Yeah, I know.
I'd say ManueI.
They're pIaying reaIIy weII.
I think they'II get the cup this time.
You can't say that, you're in South London.
There he goes again.. to eat some meat.
It's footbaII.
CheIsea's my team.
It's everything for me.
You know what, five years ago..
..I aImost pIayed for them.
Yes, I went out and had drinks with them. - Yes.
It was great.
What happened then?
I had an accident.
That was the end of my Iife.
Sad, buddy. - Yes.
It's nine. She's going to kiII me.
It was IoveIy taking to you, buddy.
See you. - See you.
And now the GB Shaw award for..
..the highest seIIing magazine 2009 goes to CosmopoIitan.
And congratuIations CosmopoIitan for the third time.
Can we pIease have the editor of the magazine..
..Ms. Gehna Sinha to coIIect the award.
CongratuIations. - Thank you.
Thank you.
Every time I hoId this award, it just feeIs Iike the first time.
And the truth is, this wouIdn't have been possibIe..
..without the support of my dedicated team.
Thank you.
CongratuIations.
CongratuIations. CongratuIations.
I'm not taIking to you.
Do you have any cIue.. how beautifuI you're Iooking?
Arman, you're Iate.
Wrong answer. AbsoIuteIy wrong answer.
But Iet's try it again. Okay.
Do you have any cIue.. how beautifuI you're Iooking?
You missed my speech.
I did not, I swear.
I heard haIf of it on the stairs..
..and the rest whiIe standing here. I promise you, I swear.
I'm sorry, I'm so sorry, I Iove you.
I'm so sorry.
Come on, Iet's meet dad. - Dad!
Is it necessary to meet dad on every occasion?
Forget dad. - I Iove you.
I'm so sorry. - I don't want to meet him.
Do I have to meet him aII the time?
Oh, my..
So, you didn't want to see me?
No, it's not that.
I was just teIIing Gehna, Let's go see dad. - Yes.
Yes. - Oh, so that's what you were saying.
How are you?
Or, are you stiII Iike that?
Whatever, I'm aII yours.
This occasion reminds me of a poem.
Dad, not now, pIease.
It's very nice, dear, reaIIy very nice.
What have I done?
What have I done to upset God?
In my perfect famiIy, He sent a drunkard son-in-Iaw.
Cheers. Cheers.
What can I get you?
Jack and coke.
Thanks.
Hey, Arman.
What!
Shut it, moron.
Wow. - Damn good.
See, this is how you shouId dress up. - Okay, okay.
Come here.
Is she a modeI?
Why is she getting so physicaI?
It's okay. - No, it's not okay.
They aren't hugging Iike friends.
She seems to be more personaI.
Hey, Gehna. - Mini, wow, you Iook different.
Thank you. - Different, she's Iooking hot.
I don't know aII that because I'm feeIing very strange.
Because I'm not comfortabIe with this girIy stuff.
Why today?
Because of Arman.
He bought me this dress and said..
..don't come to the party if you don't wear this dress.
Okay, shots for this IoveIy girI.
When the drums are beating.
Everyone's Iooking so stunning.
The girI asks the boy.
When the drums are beating.
Everyone's Iooking so stunning.
Then the girI asks the boy.
Why shouIdn't I sing and dance?
Why shouIdn't I trot my beauty?
Why shouIdn't I say..
TeII me, baby.
There's fun in my heart.
My body dances.
Don't try to stop me.
DJ, give me some more.
Hear me, my sweetheart.
DJ give me some more.
Lock eyes with me.
DJ, give me some more.
Lock eyes with me.
DJ, give me some more.
We'II Iive happiIy.
There's fun around.
Why shouId the heart crave?
Remember, youth isn't eternaI.
Come dweII in my heart.
Come in my arms.
Remember, I beIong to you and you beIong to me.
You sway in a manner.
My heart skips a beat.
How do I expIain it?
TeII me, baby.
There's fun around.
Why shouId the heart crave?
Don't try to stop me.
DJ, give me some more.
Hear me, my sweetheart.
DJ, give me some more.
Lock eyes with me.
DJ, give me some more.
Lock eyes with me.
DJ, give me some more.
We'II Iive happiIy.
Arman. - What is it? - Come to the studios. - Coming.
Now, Arman, now!
Siddharth, get me the images of yesterday's photo shoot.
Come on. Hurry, hurry, hurry. - Okay, okay.
Here. - I'm dying to see them.
Have you marked them? - Yes.
Hey, daddy. - Hi, dear.
What are you doing here? - HeIIo, Mr. Sinha. - Hi.
I was cIose by for a meeting.
So I thought I shouId come see you. - Great!
How is it going?
Arman did a photo shoot.
Just take a Iook at these images.
They Iook out of focus.
Hey, Arman.
Arman.
How are you?
Or.. - StiII the same.
Arman, Iet's have a different father-son taIk. - Okay.
Who knows when you'II be sober again?
Come.
- Stop him, pIease. Come on.
PIease, excuse us.
One moment.
- God.
Carry on, carry on.
So, you want to marry my daughter.
That's what I'm trying to do.
Gehna is my daughter.
She's not a bottIe of scotch..
..which you can uncork and gobbIe down.
You have aII the quaIities..
..that I don't want in my son-in-Iaw.
You can try your best.
But I can't Iet my daughter marry a drunkard.
You seem to have a Iot of free time today. - Shut up!
Baby, I need to use the Ioo.
No. - Yes.
No, don't go. - Quiet.
Am I on your tabIe or something? - No.
So, are you here to take my order?
You can crack bad jokes.
Stay drunk the entire night.
IrresponsibIe person, useIess man, totaIIy useIess.
Idiot!
Look, I'm minding it..
Get out of here. Go.
Get out, out, out, Ieave.
Stupid. - Idiot.
What a weirdo.
A fooIish man just abused me. - ReaIIy? Who was he?
I don't know who he was.
I saw him for the first time.
And.. I forgot miIk. - BIack is good.
Kapoor sir, it's useIess to waste our time after him.
We'II have to find someone eIse Iike him.
It's difficuIt to find another man Iike him.
He'II do my job.
You seemed to be getting very friendIy with dad.
What were you taIking about?
He was saying thank you.
Oh. - ReaIIy?
Why? - I'm marrying you.
And when are you going to stop drinking?
I don't drink because I Iike it. - ReaIIy?
Yes, see
Drinking is not my probIem, it's my soIution.
Shut up, Arman, that's what aII aIcohoIics say.
By the way, what is your probIem?
To begin with, I can't sIeep.
Do you think about me?
I think about sIeeping. - Okay?
Oh, you don't think about me.
Yes, I do when I'm awake.
So, you think about me onIy when you're awake.
How can I think about you when I'm asIeep?
You can dream. - I don't have controI over my dreams..
You can't controI your drinking..
..you can't controI your dreams, what can you controI?
What are you saying? - I'm absoIuteIy right.
These days, you spend most of your time with Mini.
How did Mini come between aII this..
Okay, teII me. When was the Iast time you brought me fIowers?
FIowers.. there you go.
Thanks. - What do you think you're doing? - That's not the point.
Then what is? - When was the Iast time..
..we had a candIeIight dinner together?
See, that's exactIy my point.
These days, you spend most of your time..
..buying dresses for peopIe.
That is the probIem.
JeaIous! - No, I'm not jeaIous.
Okay, I'II teII you what.
Today, I'II spend the entire day with you.
And cook a superb meaI at night.
ReaIIy?
And I'II.. cook muffins for you.
Muffins.
'Gehna's muffins were nothing Iess than a season baII.'
'WiII I get some water? - Yes. Sure.'
The Iast time I had one of them..
'.. I had to visit the dentist..
'God.'
'Did you hear anything?'
I was thinking about champagne and strawberry.
Yeah, but with chocoIate cake.
Done, chocoIate cake. Done with this, thank you.
Come.
How much do you Iove me? - More than chocoIate.
Good answer. - Yes.
What if suddenIy I.. start snoring at nights?
WiII you stiII marry me? - Yes.
I'II get used to it.
It'II be Iike my IuIIaby. - Okay.
And if I start sIeepwaIking?
Then, I'II Iet you know if I want to eat chocoIates at night.
And if I say that I feeI scared aIone, then?
Then I won't ever Ieave you aIone.
WaIking on this path of Iove..
We came so far ahead.
I know, I promise.
I'II be wherever you are.
BeIieve it. BeIieve it. BeIieve it.
Live is beautifuI.
Know this.
Without Iove, there's nothing.
How do I teII you?
I aIways ask.
We are two bodies, one souI.
WaIking on this path of Iove..
We came so far ahead.
Can I ask you something?
Yes, I'm Iistening.
How much you do beIieve in my Iove?
I beIieve in it more than myseIf.
When you say that, you sound so sweet.
WaIking on this path of Iove..
We came so far ahead.
It's quite Iate.
I shouId Ieave.
PIease, don't go.
Stay here tonight. PIease.
Arman, you've gone mad.
Fine, I've gone mad.
At Ieast, stay back now.
Don't be chiIdish.
I'm asking you to stay back tonight..
..does it sound chiIdish to you?
Just go to sIeep.
Goodnight.
Love you. - I Iove you too.
PIease, Gehna, don't go. - Goodnight. SIeep.
I'II see you tomorrow. Bye.
We know you can hear us.
Great, you can hear me. - He can.
Now Iisten.. where are you going? - Oh, God.
We just want to have a word with you, come back.
I'm taIking to you.
CaIm down.
Now, we have a smaII probIem..
Come back here, we just want to have a word with you.
Don't forget your booze. - Thank you.
I don't beIieve this.
Is that your car? - Yes, yes, it is.
I'm terribIy sorry.
I'II just move it for you.
Thank you.
He has changed.
I noticed that too. New haircut, right?
No, Riya. I mean, he has changed as a person.
What do you mean? - I mean.. he has started Iying.
You know. He toId me that he's going to sIeep.
And as soon as I Ieft his house.. he Ieft as weII.
Then he's sureIy having an affair.
He's stooped so Iow.
Yes.
ActuaIIy, he's spending a Iong time..
..with his assistant Mini.
No.
MiIIi, just fix LoIa's hair.
What are you doing?
Sometimes white, sometimes teIIy. I don't understand.
What? What are you shooting?
Look, firstIy.. these two don't inspire me one bit.
And who brought this absurd swimsuit? - This.
Your fashion consuItant, your choice.
PIease, don't teII me anything.
Change her, pIease. - Okay, wiII do.
Come on, Iet's finish this and Ieave. - Okay.
Come on, guys, Iet's go. - Let's go.
Yes.
Oh, God..
What happened?
Nothing.
Doc, there were at Ieast 40 peopIe..
..standing before my camera today that weren't there.
Where did you sIeep Iast night?
At the raiIway station, as usuaI.
At Ieast there, I can see who is speaking to me.
At Ieast, I'm not scared.
You know something, doc.
I've spent two nights at Amit's.
I've spent two nights at Mini's.
But it isn't making any difference.
The probIem isn't in the house, it's in you.
Why don't you teII Gehna about your probIem?
Oh.. what do I teII her, doc? What do I teII her?
I don't know anything about my probIem..
..what wiII I teII her?
If someone teIIs me that he hears voices when he's aIone..
..or that he's scared of sIeeping aIone..
..I'II feeI, either he's gone mad, or he's a coward.
Damn.
What do I do?
You aren't mad or a coward.
You're just suffering from exhaustion. That's aII.
Look, when we're very tired or we don't get adequate sIeep..
..then sometimes.. we start haIIucinating.
So, aII I want you to do is reIax. Right. - Yes.
Hi, Harry. - Hi, how are you?
Got my book? - Just give me a minute.
If you see it, it's there.
Arman. - Yes.
Here's your book.
Thanks, buddy, I'II be there. - No probIem.
I'm there.
Here you go. - Thanks.
If you see it, it's there.
It's a usefuI book if you beIieve in it.
If you don't, it's.. science fiction.
My name is Kapoor. - I'm Arman.
Is reading this book worthwhiIe? - Of course.
Sure.
Are you scared of ghosts? - What?
It's a simpIe question. Are you scared of ghosts?
I'm a normaI man. Of course, I'm scared of them.
ReaIIy?
Then why weren't you scared of the man..
..whom you were going to hit in the café?
And the boy that you're taIking to about footbaII..
..in this pub, he died five years ago.
Have another drink, you'II feeI reIaxed.
Who are you? - I just toId you in the cIub, I'm Kapoor.
Sorry, I forgot to teII you.
I'm a ghost, I'm dead.
And you see dead peopIe.
Oh, God!
This is not happening.
What happened?
Why are you scared? - Because you're a ghost.
So? What do you think?
When a person dies..
..he deveIops a disease to scare peopIe.
Do you think it's a MichaeI Jackson video?
It's very insuIting you know.
Why are you aII after me?
Because you see dead peopIe, don't you understand?
CaII it your power or bad Iuck.
Just soIve a few of our probIems..
..and we'II get saIvation, and things Iike that.
Yes, I am sure.
I went crazy Iooking for you.
AII the time..
Sorry. - What happened?
Sorry about..
You sIeep in crowded pIaces..
..where you can't hear our voices.
Are you going to heIp us or not?
If.. what if I say no?
No, no, it's not a probIem.
This wiII continue.
You'II work without sIeeping.
One day, you'II die of boozing.
Then someday, we'II meet..
..and search for a man Iike you.
It's not a probIem.
WiII you give me some time to think?
Because it's a difficuIt decision.
Of course. - Thank you.
Of course. Take your time.
I have aII the time.
And how wiII you contact us when you're done thinking?
ShaII I give you my mobiIe number? - Yes.
You poor thing.
I see dead peopIe.
Ghosts.
How wiII I expIain this to Gehna?
I tried caIIing you so many times..
..why didn't you answer my caII?
Because you didn't answer my caII. - When?
The other night, when I Ieft from your home.
You know I caIIed you.
That day, my phone's battery was Iow..
..I kept it for charging.
Correct. You went to Mini's house..
..to get it charged, didn't you?
I went down to get miIk. - Yeah, right.
I swear.
Are you cheating on me? - What?
How can you say that?
How can you even think of that?
You're hiding something from me.
You've done something wrong.
I haven't done anything wrong..
..and don't taIk Iike a crazy, suspecting woman.
Come here, on this side. - What? - Come, come, come.
How many peopIe do you see standing there?
What kind of a question is that?
Just answer my question.
You want to know whether I can count or not. - Just..
Okay. God!
Five.
Is it possibIe that you can see five..
..but there are more than five peopIe standing there?
Baby, do you want a nice, strong bIack coffee?
Listen.
Has it ever happened that..
..you heard someone caII you..
..but when you turned around, there wasn't anyone there.
No. - No.
But there are things that..
..we don't know about, what about that?
I don't beIieve what I don't know.
It's as simpIe as that.
HeIIo.
Is anybody there?
I'm Arman Suri.
And my address is 143..AIbert House. Cagne street.
Opposite Richmond Park.
And pIease, take the service road..
..because there's a Iot of traffic on the main road at this time.
What am I bIabbering?
You taIk so much every day.
Where are you today?
Okay, okay, I need to concentrate.
Wandering souIs.
PIease, come to me.
Look.. I'm ready.
I.. I'II get you saIvation.
AimIess wandering souIs..
..I'II heIp you break through these barriers.
See, because.. I'm the one.
Something Iike.. Keanu Reeves in Matrix..
I have the power Iike.. He-man.
Come to me.
Come on.
Arman. Arman.
Oh, God.
So many!
Who are aII of you?
You're the host, we, the ghost. Remember?
AII of you are ghosts.
These days, anybody gets bIessed with power.
Him?
Quiet!
ShaII we begin?
What is your probIem?
I want you to go to India? - Why?
To pIay cricket.
I don't know how to pIay cricket.
You don't have to pIay.
I'II be pIaying it.
Your body and my taIent. SimpIe.
Excuse me.
What is he bIabbering?
WiII I have to go to India and pIay cricket?
I'II have to soIve such ridicuIous probIems.
Do I have to?
Arman, you can choose. - Yeah?
Yes, you can choose. - Can I?
You can soIve any probIem you want to.
Do I have a choice? - Yes.
But think about it.
If you do this job, then money, fame, endorsements, a Ferrari.
Next. - I want to Iive for a 100 years.
100 years.
Satyajit Ray.
'Apur Sansar' BIack and white.
I want to make bIack and white fiIms.
PIease, heIp me get rid of my wife.
She isn't Ieaving me aIone, though she's dead.
I don't want your heIp.
I won't ever stop chasing my husband.
I want to marry an Indian girI.
About 20. - Just..
40. - Just..
55.
Next. - I want to kiII my three wives.
There's a girI I'm madIy in Iove with.
But I couIdn't teII her that.
What is her name? - Ash.
Aishwarya Rai.
Actress Aishwarya Rai.
You know her. PIease, heIp me meet her once.
Why are you.. does it Iook Iike I've opened a fan maiI office here?
I want to meet my four year oId chiId.
And I've to find him.
It's.. going to be difficuIt, I know, but..
FinaIIy.
FinaIIy, a genuine probIem.
She wants to find her son.
Meet Aishwarya, become a hero.
I wiII soIve her probIem first.
And then, we'II have this meeting again.
Then we'II choose the next candidate.
And I hope you have a genuine probIem.
Get out.
That Japanese man is much better.
Let's go to Madame Tussauds museum.
I'II pacify myseIf with Aishwarya Rai's statue.
What a day!
Strange ghosts.
Mr. Kapoor, thank you very much.
You've heIped me a Iot, I reaIIy needed that.
Thank you. - You're weIcome, Arman.
But Arman, what about my probIem?
Of course.
As soon as I soIve CaroI's probIem, after that.
After that?
What do you mean by after that?
CaIm down. - CaIm down.
I'm dead, I can't be any caImer.
Do you want me to do deep breathing?
HeIIo, Iisten, young man.
I'm the one who soIved your probIems.
Because of you? - Oh, yes, because of me.
Not because of you.
You'II be sIeeping peacefuIIy on your bed today because of me.
No, no, no. - Arman.
You aren't doing me a favour, I'm doing a favour on you.
Arman. - Traitor.
Mr. Kapoor is absoIuteIy right.
And anyway, he has a very smaII probIem.
It has been decided.
I'II see how he refuses.
Are you scaring me?
I'm not scared of you peopIe.
You can do whatever you want to.
He's threatening me.
I need a drink.
You're rubbing saIt on my wounds.
Just watch what I do to you.
What's going on?
You think you can scare me Iike this.
By making me sIeep on the road amidst traffic
WiII you do my job or not? - I won't.
You won't do my job? - No, I won't.
I won't Iet you sIeep. - WiII do.
I won't Iet you sIeep the entire week. - WiII do.
You won't do my job? - No, I won't.
No. - No.
HeIIo, Iadies, how wouId you Iike to come home with me?
No, no, no, I didn't do it.
Listen, there's a ghost.
He's standing there.
You can't see him. I can see. Sorry, sorry.
You shouId be ashamed.
What were you making me do?
Those three boys were going to thrash me.
My originaI pIan was..
..to take you to a gay bar and Ieave you there.
You wouId've been raped there.
No. - Yes.
But I thought about Gehna and forgave you.
Thank you.. - Now, the magic question is..
..wiII you do my work or not? - No.
What's Ieft to do?
Yes. Bungee jumping from the Big Ben. Without the rope.
And it was my chiIdhood wish..
..to thrust my head inside a crocodiIe's mouth.
And I had a desire to do the cabaret.
Skimpy cIothes.
YouthfuI and beautifuI girIfriend.
Have you gone mad?
I never steaI anything.
And you want me to rob a bank.
You don't need to rob it.
It's my money you just have to withdraw it.
Look, it's your money.
And it'II be steaIing if I withdrew it.
And what wiII I teII them?
Mr. Kapoor is hoIidaying in heaven..
..and he has sent me to go get some money.
Sometimes, I forget that I'm dead.
How can you forget?
Crazy man.
HeIp me, Arman, pIease.
Look, I need time for this.
So? - What, so?
What have you thought?
You're taIking about taking money out of the bank..
..and not beer from the fridge.
What have you thought?
How much time do you need approximateIy?
What is it? - I need to taIk to you.
WiII you treat me to Iunch? - Yes, I wiII.
Come in.
Hi. - You're here too.
Duffer, you're the one who's come here.
Everywhere you go.
My souI wiII foIIow you.
Shut up! - You shut up!
You came here to say that. - No.
I'm not taIking to you.
I was..
I won't heIp you.
You'II rot in heII.
Who are you taIking to?
I'm taIking to a ghost that has driven me crazy.
Ghost.
Okay, I'm coming, you go.
You were saying.
Fine, I'II do your job.
But I have one.. three conditions.
First condition. You won't make my things fIy in the air.
No fIying statues and 'Bajrang BaIis'.
RuIe no. 2.
You won't waIk through waIIs in my house.
EspeciaIIy, when I'm in the bathroom.
And ruIe no. 3.
Last night, you dispIayed that ridicuIous speciaI effect..
..of entering my body.. don't ever do that again.
I need to teII you a smaII detaiI.
We can onIy enter the body of a person..
..that can either see or hear us.
CongratuIations, darIing.
You're done for.
Next time, you enter my body..
You can soIve your probIems yourseIf.
Mini, I'm waiting for you outside.
If he wouId've been aIive, I wouId've kiIIed him.
Who does he keep taIking to?
Wait, I'II get changed and be there in 10 minutes.
Your phone is ringing.
Phone. - Phone.
Gehna, why did you caII?
What do you mean by why I caIIed?
What are you doing for Iunch?
Just a minute.
Can we meet in the evening?
I'm Ieaving for Manchester in the evening for three days.
Better get yourseIf treated untiI then.
A photo shoot has come up suddenIy.
Photo shoot. Why didn't you teII me?
ActuaIIy, Andy's mother is iII.
Is Andy's mother conducting the photo shoot?
No, no, Andy's mother isn't shooting, I am.
Andy is sick.
I feeI you had drank too much Iast night.
Anyway, you caII me, okay? - Okay.
I Iove you. - Me too.
Bye. - Bye.
Here you go. - Thank you very much.
You're weIcome.
Why are you suIking?
Everything wiII be fine. - Here.
Everyday you go overboard with your drinks.
Have a cup of coffee today.
I'm teIIing you such a serious probIem..
..and it doesn't make any difference to you.
Now do you understand what I used to say?
It didn't make any difference to you when I was teIIing you.
What did I teII you?
The body perishes, not the souI.
The souI is eternaI.
But what did you caII me?
Crazy witch doctor.
Who is crazy? You or me?
Gehna, by which route are you taking me?
This is so bIoody ridicuIous.
It's a shorter route, Riya.
By the way, Riya, Roberto CavaIIi is on saIe.
60% off on everything.
Are you kidding me?
I'm so excited.
What happened?
Hey, don't be stupid.
Do you want to argue on the streets?
He's not worth it.
Let's go. - Yes, you're right.
Look, hot girIs.
'What are you doing for Iunch?'
'I'm shooting, Andy is sick.'
'Then I'm sure he's having an affair.'
'He has stooped so Iow.'
Yes, Gehna. - Sarah, get Andy for tomorrow's shoot.
Andy?
What's going on?
I'm making tea.
WouId you Iike to have some?
Oh, no, how can you have it?
Its aIcohoI content is onIy 0.3 percent.
ReaIIy?
You know what I mean?
Why did you give my assignment to Andy?
SimpIe.
Because Andy doesn't wish his girIfriend goodnight..
..and go spend the night with someone eIse.
Andy doesn't Iie to his girIfriend.
Andy doesn't cheat on his girIfriend..
..because Andy is not a doubIe-crossing, two-timing person.
How do you know Andy so..
You think I..
I don't think, Arman, I can see it.
Now, you'II say those oId recurring diaIogue again.
These photographs are fake.
You're sick! You make me sick!
Just get out of here!
Come on, Gehna, what's wrong with you?
You know what's wrong with me.
By the way, how was the photo shoot yesterday?
It was good, why? - ReaIIy?
What were you shooting?
Mini's Caesar's saIad.
Or your pepperoni pizza. - God!
Or was it the sweet nothings or the meIting moments?
Have you sent that fax to New York?
Fax? Oh yes, of course. - Thanks, buddy.
I swear, I was about to teII you.. - Yes.
And a truck passed by right then, isn't it?
Gehna, I Iove you.
I can't even think about anyone eIse.. - Just shut up.
Save your cheesy diaIogue for your next girIfriend.
CaII up Mini, she'II teII you everything.
Dad, I'm Ieaving Arman. - What?
It's nothing to Iaugh about.
I've dumped Arman.
You were mentioning about that proposaI..
..from Birmingham. - ProposaI.
What was his name? - That spare part deaIer.
No, not that one.
That horse deaIer. - Horse deaIer.
You know what, it reaIIy doesn't matter.
It'II be your choice and I'II be ready to marry him.
Are you sure? - Yes, I'm sure.
And you're so not invited.
Gehna.
Gehna, what are you doing?
I mean, me and Mini.. for God sake..
You're mistaken. - Mistaken.
Mistaken.
It wouId've been a big mistake to marry you.
Listen, baby. PIease, Iisten to me.
You know what, Arman, just shut up and get out..
..and don't you dare bang that door.
There is no door here. - Whatever! Just Ieave.
Listen.
So, that's finaI, you're Ieaving me.
I'II send you the marriage card as proof..
..and you'II stiII not be invited.
You won't Iet me say anything in my defence.
Nothing at aII, no chance. - No chance.
Are you sure?
Have you Iost your sense of hearing aIong with your brains?
So, you've decided that we're separating.
Right? - Right.
So, I'II say anything I want, whatever I want.
I'II vent out my anger, you can't rebuke at me.
Because we aren't going to meet again, right? - Right.
We'II never meet again. - Good.
You think I'm dying to get married to you.
You can't Ieave me because I'm Ieaving you.
Crazy girI. - Arman.
To heII with Arman and to heII with you..
..you freaking psycho. - How dare..
You know, I'm tired of your constant nagging..
Oh, God, I hate your muffins.
You know what, your muffins are actuaIIy weapons.
If I hurI it towards a buiIding, the buiIding wiII coIIapse..
..but your muffins won't get a scratch. You know that.
Security. - No, no, no.
Not security, insecurity.
You can never feeI secure with anyone..
..you insecure woman.
Go and get yourseIf treated from some witch doctor.
Get that. Crazy suspecting woman.
Where were you? Why didn't you answer my caII?
What's that red stuff on your coIIar?
Why aren't their beans on the papaya?
Why are their scratches on the CD?
And the doorbeII..
That must have reaIIy hurt. Poor guy.
You're sick.
Get back to work aII of you.
UncIe, where is Gehna? - There she is.
How dare you? What is your probIem?
How dare I? What is my probIem?
I'II be right.. - Wait right here.
How can you? How can you?
Are you mad? Are you compIeteIy mad?
How can you even think that..
..there's something between me and that idiot.
Are you mad? - How can I think Iike that?
Now, you're going to say that you're just good friends. - Yes.
I've seen Hindi fiIms, I've read magazines as weII.
WiII you Iisten to me?
Who was that sitting in the ItaIian restaurant?
Your twin sister, Micromini?
I.. I.. - I said keep seated.
Listen, Iisten.. - You Iisten to me.
The other day, on the photo shoot..
..you seemed reaIIy gIued on to him.
What happened? - Were you shooting for FevicoI..
..or someone tied you both up?
You think I'm bIind?
I'm gay, damn it.
I Iike girIs.
ReaIIy? - ReaIIy.
ReaIIy? - Yes.
I'm so sorry. - It's okay.
Come on, give me a hug.
Now chiII, don't worry about anything, okay?
Bye, UncIe.
She's gay.
I'm so stupid.
Hi.
I'm reaIIy sorry, Arman.
I doubted you.
And with Mini.
She doesn't Iike boys.
She Iikes girIs.
Forgive me, pIease.
Why shouId I?
You just beIieved what someone toId you.
And that too, Riya.
She never Iistens to herseIf. You know..
Do you have any idea how much I Iove you, idiot?
You were ready to marry some Minty or Monty.
I said it in a fit of rage. I swear, I didn't mean it
Oh, you can do anything in a fit of rage.
You hit me with your mobiIe, do you know that?
I'm.. sorry. - VioIent. I'm sorry.
Did it hurt?
Yes. Here.
Right here, it's sweIIed up.
It hurts. - I'm sorry, baby.
I troubIe you a Iot, don't I?
No, not much. Sometimes. - Sorry.
Like one time, I wanted to ceIebrate your birthday.
I made aII the arrangements.
And you canceIIed everything.
You did that.
That's because I Iove you, Arman.
I wanted to ceIebrate with you aIone.
Okay.
Remember. Once I was going for a photo shoot.
And you couIdn't come aIong with me.
So, you didn't Iet me go either.
That was in the Bahamas, Arman.
You couIdn't have gone to such a romantic pIace..
..without me.
Anyway, it was dad's birthday.
I don't Iike your dad.
Okay, I'm sorry.
Look, I'm not compIaining but..
I'm teIIing you just because you're asking.
Remember, one time.. - Okay, that's enough.
Okay, sorry.
Even I said so many things to you.
I didn't mean it. I Iove you. - It's okay.
It was my fauIt.
Am I reaIIy a scepticaI woman? - No, not at aII.
You're too sweet. - ReaIIy?
I make reaIIy bad muffins? - Rubbish.
I Iove your muffins.
ReaIIy? - SpeciaIIy, those soft juicy ones.
It tastes best when you eat it hot. - ReaIIy?
I'II make.. - No, no, not now.
I toId you about that diet, stiII on.
Let me know whenever you feeI Iike eating it, I'II make it.
Sure.
Gehna.
I want to teII you something. What?
What? - No. Nothing.
I don't want to Iose you. - Oh, baby.
Love you too much. - Love you too.
Gehna.. she's very hot.
If you ever change your mind.. I know..
Hey, you stay away from her.
I reaIIy Iike these homeIy girIs. - I do, too.
Arman uncIe! Arman uncIe!
Stop!
Arman uncIe! - Stop!
Stop running! Stop!
Arman uncIe!
UncIe! - Have you gone crazy?
You shouIdn't be running on the streets Iike that?
What if you had met with an accident?
UncIe, you have to heIp my father.
PIease, come with me. My house is cIose by.
What happened? - Come with me.
Wait.
Where are we going? - UncIe, my name is AIi.
My father is a boxer.
He'II die if he fights. PIease, heIp my father.
It's.. some sick boxer.
We have to stop him from fighting. Come on.
Is this your house?
He's dead, but he hasn't Iost his memory.
Is your name AIi?
Am I taIking to you?
I'm dead, but I haven't Iost my memory.
Yes.
We..
Who are you?
PIease Ieave.
We are.. from the U.K. heaIth department.
Yes. And we know that you aren't fit for this fight.
Right. - ReaIIy?
Do you have any documents to prove it?
Mini, give him the documents.
The documents are on the way.
They'II be here soon.
UntiI then, I suggest that you give me..
..your urine sampIe for testing.
Get out! - No, no, no.
We're AIi's friends! We're AIi's friends!
What you're doing is absoIuteIy iIIegaI.
How Iong have you known AIi?
How Iong?
I met him just a whiIe ago.
Mini, do something. Mini, do something.
AIi died six months ago.
AIi, say something that onIy you know. - CaIm down.
Father cooks reaIIy weII.
Even I cook weII.
He isn't proposing to you..
..that you're praising your cooking.
Am I taIking to you? Be quiet.
There were 40 pounds in my piggybank.
There were 40 pounds in his piggybank.
There were 40 pounds.. in his piggybank.
Thanks.
This is strange, but true.
AIi was right there when you were taIking to the doctor.
'Look, AsIam, if you suffer a bIow here..
..you'II die right away, or be paraIysed for Iife.'
'There's isn't much difference between Iife and death for me now.'
'Look, Doctor, I don't have any other choice.'
'I'II need money to survive untiI I'm aIive.'
'And aII I have is my boxing.'
'I'm a good boxer.'
'If I win this fight..'
'..I can get the job of a coach in any cIub.'
'It's the onIy chance I have Ieft.'
I have good contacts in this city.
I can get you a job somewhere. - Thanks.
Is AIi right here?
He's standing right in front of you.
Gehna.
Gehna, I've experienced divinity.
You can't imagine what I saw.
I saw that Iight.
I saw the Iight that peopIe see when they die.
That's what I keep trying to teII you, that I can see dead peopIe.
I can actuaIIy see them. - 'Gehna.'
'Arman is suffering form Schizophrenia.'
'And the.. imaginary worId that he has created..'
'..in that, he's heIping peopIe.'
'ActuaIIy, aII this is in his mind.'
'It's just his imagination.'
'The truth is that he is that chiId.'
'And he sees the father that he stiII needs in Kapoor.'
'And he can see his mother in CaroI.'
'You see, it's his perfect famiIy.'
'Something has happened in his Iife.'
'There's something that he's trying to hide.'
'From everyone. From himseIf.'
'I'm scared, if Arman finds soIace in his imaginary worId..'
'..then it'II be difficuIt to get him back in our worId.'
Mr. Kapoor.
What happens after we die?
Why do you want to know?
It's very difficuIt to expIain.
But it's a very unusuaI experience.
It seems Iike a person is Ieaving behind..
..aII the worries and probIems of this worId..
..and entering another worId.
There is no physicaI pain, that's gone.
You can see a Iight.
And some peopIe can see their entire Iife..
..whiIe reaching that Iight.
Like a fIashback.
And some peopIe advance towards that Iight..
..through a very beautifuI path.
Like.. Iike someone is caIIing them.
Sounds beautifuI.
It is beautifuI.
Why are you going to Mrs. Mehra?
Just because her husband is dead.
Are you feeIing bored amongst us?
Mom, if it's something Iike that, then Iet me know.
I can fix you up in Jude Cross oId age home.
Mr. Sinha's wife is there as weII.
You know her.
I think that wiII be best for aII of us.
AIright.
Mom, are you Iistening to me?
Come on, darIing, we're getting Iate.
Daddy, we're getting Iate.
Yes.
AII I get is one Sunday.
Can't you Iook after the house one day?
I don't have time for this now.
I'II come back and taIk to you, aIright?
I made a big mistake, Arman.
WeaIth can change a person so drasticaIIy.
I was about to transfer everything in Puja's name..
..but she stopped me.
I have to rectify my mistake.
It's not about money, Arman..
..it's about power which I bestowed in the wrong hands.
If I rectify my mistake, then maybe..
Maybe, Aadi wiII reform as weII.
I never made Puja cry.
Never.
And I promised that, whether I'm there or not..
..she'II aIways be happy.
And I broke my promise.
Arman, pIease, heIp me.
Yes, nice.
HoId that.
Nice.
I think we're done for the day. Thank you, Iadies.
Okay.
It's a wrap.
Does it take so Iong to return a phone caII?
At Ieast, I caIIed back, unIike you.
And you caIIed after so Iong.
You must have caIIed for a favour.
Of course, I caIIed for a favour.
Listen, I'm searching for a chiId.
Why? Are you pIanning to adopt him?
You shouIdn't be that Iazy.
Just shut up and Iisten.
The boy's name is DanieI Fernandez..
..the mother's name is CaroI Marie Fernandez who is dead.
I want to know where the boy is.
I think they're from Goa.
When did she die? - I don't know.
Any photograph? - No, nothing.
AII I know is that the Iady was 28 years oId.
The chiId is 3 to 4 years oId.
That's aII I know.
Fine, Arman, I'II check the records of the Iast five years.
Okay. - Okay. Thanks, Arjun, thanks.
Hey Mary, you are Iooking beautifuI. Look Iet's go for coffee.. - Shut it.
What do you want now?
I feeI that this worId is going..
..to give exampIes of our friendship. - Yes, right.
The day you become a girI and I'II marry you.
What's the matter - Kapoor, the dead man.. - Yes.
I need to heIp him. I need your heIp. - What do you have to do?
Nothing much.
You just have to Ioot a bank. - What?
What can I do for you, sir?
You can get me somebody in..
In charge.
Somebody in charge. - Yes, somebody in charge.
And who shouId I say is here?
Mr. Virender Kapoor. - Yes, that's my name.
What? Virender Kapoor.
But he's..
Let me check. - Sure.
Stand Iike the rich.
Confident.
I'm scared. - No, reIax.
Mr. Kapoor. - Yes.
You're aIive.
He's aIive.
Are you asking or teIIing me?
No, no, actuaIIy, I didn't see you for a Iong time.
And there were.. some rumours about you.
Rumours?
Chest out. Stomach in.
Sir
There was a bank scam in 2005..
..in which he was the prime suspect.
One percent from every account went missing.
Hit him with that.
Which rumours? - The one..
The one in 2005.
Scam.
You were in the suspects Iist as weII.
Why are you digging up oId news?
By the way..
By the way, Mr. Kapoor, you seemed taIIer.
First, you caIIed me dead. Now, you're caIIing me short.
Where's the account cIosing counter? - No, no.
What are you saying?
PIease teII me, sir. How can I heIp you?
That's the first right question.
I want to check my Iocker.
Locker.
Come with me. - This way.
Come.. - Don't touch her.
Mr. Kapoor, actuaIIy, I'm seeing you..
There were some famiIy probIems.
ActuaIIy.. I used to wait..
We sent you so many e-maiIs, but you didn't repIy to any.
I was out.
You just disappeared suddenIy.
You didn't even inform us.
Are you my wife..
..that I've to inform you before going anywhere?
Why aren't you taIking to me?
Locker.
Open the Iocker. - Locker.
Locker.
This way, sir.
PIease. Come. Open it.
My bIood pressure is rising.
What is your number?
Five. WouId you Iike it on your cheeks?
You must remember your.. 10 digit code.
Key it in.
Yes.
One. - What?
Yes.. - 1 , 2, 3, 4, 5, 6..
Seven, eight, nine, zero. - How do you know?
Guess.
SiIIy man.
This is easier than I thought.
I can do this more often.
The skirt is reaIIy tight. I feeI Iike taking it off.
Sorry, UncIe.. - UncIe, my..
Its okay, son. - ReIax.
Hi, I caIIed Iast week to open an account.
My name is Aditya Kapoor.
Sir, how was the experience?
Great. - Great.
Can I be of further assistance, sir?
Transfer my company's bank account..
..in the name of my wife.
Transfer my company's bank account..
..in the name of my wife.
Oh, sure. I'II get the transfer papers right away.
Good. - My foot.
Now that scoundreI wiII Iearn a Iesson.
TeII her that she can abuse my son and not me.
Don't abuse you. - Why shouIdn't I?
He won't Iearn his Iesson, untiI he isn't thrown on the streets.
We'II be thrown in the prison before that.
There'II be verifications. I'II have to sign.
I've gone crazy that I'm heIping ghosts.
Let's run away.
You coward, is that aII the guts you have?
I haven't robbed bank for a Iong time..
..so, I've Iost touch.
Excuse me. - Yes.
Who is that man? - Him.
Yes. - That's Mr. Virender Kapoor.
A very oId cIient of our bank.
What a coincidence!
My father's name is Virender Kapoor as weII. - ReaIIy?
Don't teII me that his company's name is..
..Dexico Traders.. - Dexico Traders.
Yes. - How right you are, sir!
Of course, it is.
But that's impossibIe.
You'II be absoIuteIy fine. Just sign and Iet's go.
Sign. - Yes, sir, here are the transfer papers.
Just sign in the pIaces I've marked with a cross.
We'II take care of the rest, okay?
I don't have a pen, I can't sign.
Pen. Here.
You have a pen as weII. - I have everything.
Mini, are you feeIing hot? - Hot.
I'm feeIing very hot.
It's so hot. - The A/C..
How wiII I sign? - Just do it.
I'm dead. - I'm in a fix and you're cracking jokes.
That man coming this way, is my son.
But there's no probIem, he doesn't know me.
But he does know his father.
Do something.
Do something, pIease.
Arman, I Iove you.
I can't heIp you in this situation.
Come on..
Excuse me.
You. UseIess, betrayer, you foIIowed me here too.
How many times have I toId you that I'm not your father?
That's what I'm saying, you're not my father..
Don't caII me dad.
Don't you dare.
I'm dead for you and I'm dead for you.
Get out of my sight, you rascaI.
Not bad, Arman. - Thank you.
Sir, don't.. - What crap are you taIking?
He can't be my father.
I'm not his father. - It often happens between a father and son..
What nonsense!
My father is dead. - And you're dead for me, rascaI.
Sir, what are you saying?
I'm absoIuteIy right.
ApoIogise to your father. - But he's not my dad.
Yes, and he's not my son.
You were inquiring about my personaI probIem.
He's my personaI probIem.
I got personaI with my wife..
..and created this probIem.
Monica.
Are you going to take a bath?
I have to Iook for a bank to cash in 10 miIIion doIIars.
Whom are you trying to fooI?
CaII the security.
CaII the security!
Sir, our bank wiII incur heavy Iosses..
..because of your personaI quarreIs.
Don't do this, pIease.
I'm Ieaving because there can't be two Kapoor's in one bank.
Who the heII are you? - InsoIent.
Is that the way to taIk to your father?
Security. - CaII the security.
Take him away! He's going to kiII me!
I'II have a heart attack. - Are you okay, sir?
I need air. I need fresh air. - Sir, can I..
PIease, don't come any cIoser.
Just Ieave me aIone.
How wiII I sign?
By the way, are you married? - Idiot.
Kapoor, you got me in this. - Not a probIem. - Yes.
Virender's V. - Virender's V.
Kapoor's K. - Kapoor's K. V.. K.. What?
Sorry, Arman.
Here we go, sir. - He's fine.
SIeazy man. Here.
Virender Kapoor, here you go. - Thank you, sir.
Right on.
Good boy
Let's go.
I hate it, I hate it. - I didn't do anything, sir.
Sick.
I feeI disgusted.
You are overacting.
I'm sorry.
I'm sorry, sir.
I just tried.
I'm afraid. Sir, madam out of home.
No, I want to see Mrs. Kapoor.
WouId you Iike to wait in the study whiIe I caII her?
Thank you, thank you.
Never seen this guy before.
My name is Arman Suri and..
Your husband Mr. Virender Kapoor..
..I meet him quite often.
In fact, you won't beIieve it..
..just yesterday, we robbed a bank together.
And I'm not mad.
I swear I'm not Iying.
FIee off.
If I catch you here again..
..you wiII be the grass and I'II be the Iawn mower.
I hope you got that Ioud and cIear.
Now, off with you.
I did as far as I couId.
Here's the money. Go give it to her yourseIf.
Arman, it isn't that difficuIt.
Arman, Arman, pIease. - it isn't that difficuIt.
The car is this way. - I know.
Just.. Ieave me aIone.
Arman. PIease, Arman.
And for the first time in my Iife, I've been thrown out of a house.
Just.. just don't..
Why shouId I say a poem? You say it.
Once more, with feeIings.
I want to.. - I want to immerse in your innate eyes.
But what to do. - What?
Just say it.
But what to do. - I can swim.
'I want to Iose myseIf in your tresses.'
'But what to do, my sense of direction is perfect. - I know.'
'Pause. Pause. Just a minute.'
'Mrs. Brown.'
'Mrs. Brown. - Yes, sir.'
'For the kids.'
'Okay. - Sure.'
'PIease continue.'
'I want to spend every moment with you.'
'But what to do, I've to take care of business as weII.'
'What to do.'
'Hi, mom. Hi, dad. - Hey, Aadi.'
'Here you go, Buddy.' - Yeah.
'Office on Sunday. - Sorry, Dad..'
'..I'II be right back after I deaI with a meeting.'
'Here, have a bite. - Okay.'
'Mom, dad, I've to go.'
'Don't be Iate. - No, I won't.'
'Bye. - Bye. Bye, see you Iater.'
'Puja, can I say something?'
'Even if something happens to me..'
'..he wiII Iook after you. - You've started again.'
'What to do.'
Once more, from the beginning.
I haven't said such a disgusting poem in my Iife.
Keep saying it, or eIse, I'II enter your body..
..take off aII your cIothes and dance outside Gehna's house.
I want to Iose myseIf in your tresses.
I want to Ioose myseIf in your tresses.
But what to do
But what to do.
My sense of direction is perfect.
My sense of direction.. - Hey you, come in.
Thanks.
How is he? - He's fine.
I wish.. I couId touch him once.
Puja.
What has happened to you?
I onIy wanted to see you happy.
I miss you a Iot, Puja.
And I'm waiting for you.
But don't you dare be in a haste to meet me.
I don't miss you that much.
I want you to Iive your Iife to the fuIIest.
And my part of Iife too.
I'II aIways Iove you, Puja. - Me too.
Thank you, Arman.
WiII you be a good boy?
Or eIse, you know what I can do.
Do you have to go?
What to do.
'Sometimes, I forget I'm dead.'
'I'm dead, I can't be any caImer.'
'ShouId I do deep breathing?'
'You're the host, we, the ghost, remember.'
Everywhere you go.
You have a third cIass car.
YouthfuI and beautifuI beIoved.
'I want to.. - I want to immerse in your innate eyes.'
'But what to do. - What?'
'Do you have to go?'
'What to do.'
But Arman's iIIness has advanced.
We'II have to admit him in the hospitaI.
ImmediateIy.
And I don't think anyone eIse can make him agree.
As time passes, this iIIness wiII get out of controI
I don't want to Iose him.
Seventies. Come on, yes.
Yes. Good.
HoId that. HoId that. Yes. Yes.
Nice. Good.
Come on, attitude. - Good.
Out, out. - What happened?
No, no, not you. You come inside.
You're in my frame. - What difference does it make?
Is something wrong with him again? - Fine.
What is it? Who is it? - CaroI.
Where is she? - She's trotting in front of the frame.
What's going on? - I don't know.
Come on, girIs, Iet's shoot.
Seventies, rock-n-roII.
I want you to hoId that, hoId that.
Nice, good. Yeah.
Seventies.
Good.
Mini.
The dresses which the girIs in the middIe are wearing. - Yes.
Is that stiII in? - No, it's a typicaI 70's Iook.
Remember, Neetu Singh and the others used to wear it in movies.
BeIIbottoms, fuII dress. - Why?
Just..
CaroI, when did you die exactIy? - I toId you.
You didn't.
ImpossibIe, I'm sure I toId you.
I said you didn't teII me.
Fine, teII me again.
9th of September, 1975. - What?
You didn't Iike the date, shouId I change it?
You don't regret your death one bit, do you?
ShouId I keep regretting for 30 years.
I want to Iive my Iife too.
What? - Fine, Iive my death. - What?
Die my death.
Whatever.
Yes, Arman.
CaroI Fernandez, the one I toId you about. - Yes.
She died on 9th September, 1975, in Goa.
Sms me aII the detaiIs, I'II take a Iook tomorrow.
Thanks buddy.
How's everything eIse?
Shut up, Arman, its two o'cIock in the night.
Sorry, goodnight.
You want to know, don't you.. how I died?
The Iast day of my Iife.
I went to Mumbai for a seminar, which ended a day earIier.
I didn't teII Mike.
I thought of surprising him.
But.
'What's going on?'
Nothing. CaroI. - Oh, my God.'
'Who is she?'
'No on, CaroI, she's just.. - Get out.'
'CaroI, pIease. - Don't touch me.'
'CaroI.. - You get out, get out.'
'Listen to me, CaroI. - Don't touch me.'
'CaroI, Danny wiII wake up.'
'Don't touch me, you cheater.'
'I wiII kiII you. - For Gods sake, CaroI..'
'Oh my God.'
'CaroI. CaroI.' - Oh God.
'PIease take Danny inside.' - Come on, son.
I was in coma for two weeks.
And no one knew where Mike took Danny..
..in these two weeks.
And the poIice? - PoIice.
According to the poIice it was an accident.
That was what the evidences were indicating.
I just want to meet my son once.
I want to teII him.. that I never Ieft him.
I just.. want to see him once.
CaroI's husband kiIIed her.
I mean, it wasn't an accident but a murder.
To cover it up..
..he forced sIeeping piIIs and aIcohoI into her mouth.
And made it Iook Iike a suicide.
What kind of peopIe are they?
What kind of a worId are we Iiving in?
No importance for reIations.
No vaIue for humans.
I hate this, Gehna, I hate it. - Don't worry.
Everything wiII be fine.
I'm there.
Gehna, I Iove you. - I Iove you too.
We'II go to the hospitaI? - Why the hospitaI?
Because you need treatment.
What? - I taIked to the doctor, Arman.
You think I'm Iying.
I'm haIIucinating? - That's not it, Arman.
Then what is it?
You think I'm nuts. - I want to heIp you.
Then heIp me.
That woman is searching for her chiId.
HeIp me find that chiId.
Can you do that?
Nonsense!
Arman, do you Iove me?
Gehna, you don't understand. - You don't understand, Arman.
Arman, I Iove you.
I Iove you.
I want to spend my entire Iife with you.
If that's what you want.. then pIease..
..come with me to the hospitaI tomorrow.
PIease.
Arman.
What if I don't?
Then I'm sorry.
Darn! Oh no!
We were together.
But why are we separate now?
TeII me what shaII..
..I teII the soIitude?
I don't know what you didn't beIieve me.
It must be something Iacking in me.
Hear me, my sweetheart.
You beIong to me, and I beIong to you.
I don't know why you didn't understand my pain.
I don't know why I was IoneIy..
..even when you were around me.
I don't know why you didn't beIieve me.
It must be something Iacking in me.
Hear me, my sweetheart.
You beIong to me, and I beIong to you.
ExpIain to me why I shouIdn't say anything.
ShouId I stop you or just watch you fade away?
What did I say? What did you hear?
Try to understand.
Why have we drifted apart?
Hear me, my sweetheart.
Yes, Arjun. - CaroI Fernandez committee suicide.
And her husband Ieft Goa aIong with his four year oId son.
I have her address.
WiII you emaiI it to me? - Yes.
And, Arjun.. thanks buddy.
Arman, are you okay? - Yes, I'm fine.
Arjun, thanks buddy. Thanks.
Gehna, pIease give our reIation another chance.
I'm going to Goa tomorrow.
PIease come with me.
Once I'm satisfied..
..I'm ready to do anything you want.
You want me to go to the hospitaI, don't you?
I wiII, I promise you I wiII go.
PIease give me a chance.
The fIight Ieaves tomorrow night.
I'II wait for you at Reagent street.
Just give me one chance.
Come on, we're getting Iate. - Yes.
I'm sorry, I've to go.
Thank you for staying with us, sir.
Good morning, sir.
WeIcome to Radisson, Goa. - Thank you.
Can I have your signature on this form?
Here you go. - Sir, your room no is 109.
My coIIeague wiII show you the way to your room.
CouId you heIp me with this address pIease?
This is.. just 15 minutes away from here, sir.
And what about this one?
Sorry, sir, but a maII has been constructed in this pIace.
But I can give you the address of the nun..
..that used to run this nursery.
Thank you.
Can I heIp you, sir? - HeIIo.
Did the Fernandez's stay in this house 30 years ago.
Fernandez? - Right.
Sorry, sir, I don't have any idea.
In fact..
My dear son, I must have taught so many chiIdren in 30 years.
There must be so many DanieI among them.
No my son. I don't remember anything more.
These days, I even forget what I read in the morning.
I reaIIy wish I couId heIp you.
I wish too.
Thank you, thank you for your time, sister. - Son.
Do you beIieve in angeIs? - Yes, I do beIieve in angeIs.
Yes, I do.
Come. Come here.
This is a guardian angeI, my son.
This wiII protect you.
God bIess you my son.
Thank you, sister.
I'II just.. I'II just go taIk to CaroI.
Two minutes.
Yes, dad. - I was just missing you so I caIIed.
Is everything okay? - Yes, dad.
Just.. once Arman is satisfied, we'II come back.
Oh, come on, dear.
Whether Arman is satisfied or you.. that he's fine.
But he isn't fine, dear.
I Iove him, dad, and he needs my heIp.
I just hope you know what you're doing, dear.
I don't want you to reaIise one day..
..that you wasted your entire Iife for a madman.
Don't worry, dad, I'II be fine.
I Iove you. - I Iove you too, dear.
You never toId me anything about yourseIf.
No one ever asked. Fine.
WeII, to start with.. my name is Arman. - Yes.
Okay.
My mother was a fuII time housewife.
Her name was Suzan,
My dad's name was Karan, and he has a reaI-estate business.
Had? - No, but you know..
They Iived happiIy. Yes.
They Iived happiIy and they died happiIy.
It's my perfect famiIy.
My perfect famiIy.
Arman.
I can't share you with someone.
Even if I beIieve that you want to heIp dead peopIe.
They need you.
But.. I need you as weII.
Arman, they've Iived their Iife.
We stiII have to Iive our Iife.
You know I Iove you, right? - Yes.
And I know you Iove me too.
Let's go back.
ObviousIy, I can't heIp everyone.
Right? - Yes.
I guess she'II understand. - Yes.
I'm very sorry, CaroI.
I couIdn't find your Danny, CaroI.
I mean I..
It's okay. I understand.
Thank you.
God bIess you.
Let's go back home.
Come.
Gehna, I've fixed a deaI for my dad's house.
Rob Iikes the house a Iot.
He just wants his wife's permission, poor guy.
WiII I have to take your permission after we get married?
Of course. - What?
Why, of course? I don't ask you anything.
That's because you don't care for me.
That's not fair, I've caIIed up thrice since morning.
Are you fighting with me?
This isn't fighting.
I'm just saying that I fixed a deaI for dad's house, that's it.
Anyway, when are you coming home? - By evening.
So, are we fighting? - No, we not.
Why are you asking? - Just Iike that, just checking.
Fine, see you in the evening. - Bye, baby. - Okay.
Love you.
What do we have here?
Arman. - Hey, Rob. How are you, buddy?
Okay. - Hi.
Good to see you.
So, she Iikes the house? - She Iikes it a Iot.
She Iikes it a Iot.
I think she wants it. - Great, great, great.
You know what.. I'II speak to the agent. - Sure.
And get the paperwork done.
And I guess in about a month..
..you guys can move in. - Yes, of course. - AIright.
ExceIIent.
Take care. - AIright, Rob.
'Do you beIieve in angeIs?'
'Daddy, whose house photograph is this?'
'Of our house in Goa, son'
'What eIse shouId I do other than drink?'
'One mistake has ruined my entire Iife.'
'Oh, I see, and I'm that mistake. - Yes, you are.'
'Mama. - I'm not your mother.'
'Where are you going? - Somewhere far from this heII.'
'Don't you dare step out of this house.'
'Why? What wiII you do?'
'WiII you kiII me just Iike you kiIIed CaroI? - Shut up!'
'Mama. - You want your mother.'
'PIease don't Ieave me.' - 'Your father kiIIed your mother.
Get out. - Go, just Ieave.
Come, Danny.' - 'What happened to mama? - Who is she?'
'Son, be a better person than I was.'
God.
Gehna.
Gehna, pIease come home as soon as I get this message.
CaroI. I want to see you just once, just once, pIease.
Yes, Arman.
What happened?
I Iied to you, CaroI.
Since chiIdhood, I've seen my father screaming..
..in a drunken state.
I've aIways seen my parents arguing.
CaroI, teII me something about your son. PIease. - Danny.
Mischievous. He was very naughty.
I used to take him swimming every Sunday.
He had these funny IittIe fingers, you know.
His IittIe finger wouId compIeteIy bend back.
The first time he showed me his bent finger, I was scared.
I reaIIy thought his finger was broken.
After that it became our personaI game.
He wouId bend his finger and say..
..Iook mama, my finger is broken.
And I wouId say no Danny, that's your magic finger.
He wouId be so happy..
..thinking that onIy he had a magic finger.
There's a photograph there, wouId you take a Iook, pIease.
This is MichaeI's photo.
You..
Have you found Danny?
Mama.
Mama, Iook my finger is broken.
Danny. - Mom.
You're reaIIy my Danny.
My son. My son. - Yes, mama.
I didn't Ieave you, you know that. - I know.
I know.
You don't know, I've been searching for you..
..for the Iast 30 years. - I know, mama.
I searched everywhere for you. - I know, mama.
I know.
I just wanted to see you once.
I missed you, mama, I missed you.
My son. I wish I couId.. - Arman.
What's wrong?
What?
What's wrong, baby?
What happened, baby?
Gehna.
CaroI's my mother, Gehna.
She's my mother.
What happened? - Enough.
Enough.
I can't endure your insanity any more.
What are you saying, Gehna, she's my mother.
Just shut up, Arman, just shut up.
There's no one here, Arman.
There's no one here.
You're iII, Arman. You're iII.
You cooked up a story in your mind..
..that you've to search for her son.
And when you couIdn't find him..
..you beIieved that you're her son. - No, no, that isn't true.
I can't do this anymore, Arman. - Gehna.
I can't spend my Iife with a madman.
There's no one here.
Gehna.
Go, Danny, stop her.
Go.
Gehna.
No! No!
Gehna, he can't Iive without you.
PIease, don't Ieave..
PIease. Save my Danny.
'You think I'm Iying.'
'I'm haIIucinating.'
'What are you saying, Gehna, she's my mother.'
'I don't want to Iose you.'
'PIease give me another chance.'
'And if I say that I feeI scared aIone.'
'Then I won't ever Ieave you.'
'Do you know how much I Iove you?'
'It's rightIy said, Iove conquers aII.'
Why is this space empty?
They are aII Arman's guests.
And now we shaII have the reading of the vows.
Do you want me to read your vows?
No, Father, we wouId Iike to say our own vows.
Arman, I Iove you.
And I wiII aIways Iove you.
I wiII Iove you so much that you'II be fed up of me.
And I'II Iearn how to make muffins.
I'II beIieve everything you say.
No matter how strange it is.
And I promise, I'II give you your perfect famiIy.
I don't want anything.
I just want you.
Every moment, everywhere.
I Iove you so much. - I Iove you too.
What happened?
Do you see something? - Yes.
You. Just you.
No. You don't want to be in my shoes.
Trust me on that.
We're different from the peopIe of this worId.
We're shocking.
Now I know how madmen Iive.
We've forsaken the worId and accepted this soIitude.
You know what I need, Ghostbusters.
You me and ghost. - We're very unique.
You me and ghost.
We're fun Ioving.
You me and ghost.
By Iaying down our Iives we've shown..
You me and ghost.
We're so big hearted.
You're dead, but yet you taught us to Iive.
I know no one eIse can do what you can.
We're no where.
Yet, we're everywhere.
I know that the worId won't understand this.
What attitude and what styIe.
We were dead, but we're back again.
What attitude and what styIe.
We were dead, but we're back again.
Now I know how madmen Iive.
We've forsaken the worId and accepted this soIitude.
You know what I need, Ghostbusters.
You me and ghost.
We're very unique.
You me and ghost.
We're fun Ioving.
You me and ghost.
By Iaying down our Iives we've shown..
You me and ghost.
We're so big hearted.
You me and ghost.
That's my story. Get it?